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A Simple Melody Can Lead Dreamers to Hope

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The past few months have been unsettling and horrific for Dreamers. Since President Trump announced his plan to repeal the Deferred Action for Childhood Arrivals (DACA) program, international and local musicians have been using their platforms to show their support to undocumented immigrants.

Cuban-born singer-songwriter Camila Cabello is one of the many artists who have made a statement to show Dreamers that they are not fighting back alone. During Cabello’s performance of her chart-dominating song, “Havana,” on the Today show Sept. 29, the pop artist strutted to the stage followed by her background dancers, who wore shirts stating, “I Stand with Dreamers.”

At the latter part of her performance, Cabello used the instrumental break of the song to remind Dreamers to continue to pursue their passions and stay hopeful. “This is America, the America we love, where no matter your race, your color, your beliefs or where you came from, if you have a dream, you can make it possible,” she said.

In the Northern Nevada community, many musicians have shown their support towards the DACA program through their music and performance. Vocalist and guitarist Dan Morse of Reno’s indie-rock band, Fine Motor, has worn a piece of paper taped onto his guitar strap that says “Pass the Dream Act,” since 2011. He plans to keep it on until the act is passed and allows immigrants affiliated with DACA to stay in America.

“I put [the note] on the strap when things were different,” Morse explains. “At the time that I had put it on, I thought that I would have taken it off because I expected the Dream Act to pass by now and it didn’t. The fact that it has not been passed is proof that it is pure racism. DACA was developed as a compromise, but times became more grim for undocumented students and people. By DACA being taken away, [the United States] is betraying the trust of immigrants.”

Not only has music impacted the lives of Dreamers, but Dreamers have influenced musicians also. In 2011, Morse’s former band, Wigwams, released “For Isabel Castillo,” a song inspired by Isabel Castillo, who was a Dreamer herself, came out of hiding, and testified to congress to push for the passage of the Dream Act.

“Part of the activism that I was inspired by were these accounts of people who came out and said that we have to do something about [passing the act],” the musician says. “I was struck by [Isabel Castillo’s] story and wanted to channel it into a song.”

When faith and hope seems lost, musicians and the melody they play appear to find them. For Dreamers, hope and persistence has been the core of their journey. Music is an outlet that can help retain these uplifting feelings during the darkest of times.

University of Nevada, Reno student and president of the University’s Musical Therapy Club, Christian Bak, created the club as a way to help himself and others stay inspired and ambitious through music. He explains how for Dreamers especially, music creates hope.

“I think it comes down to what is a Dreamer. The number one emotion that circumvents it all is hope,” Bak says. “What musicians provide and what they can provide is that hope. That’s why [music] is very therapeutic and helps us. It gives us a purpose. The way we inspire dreamers or help dreamers is by creating those dreams, those hopes, that things will get better, be better, and have the possibility to go up from here.”

UNR professor and music therapist, Sara DePaoli, specializes in music therapy and expresses how vital and therapeutic music is during stressful or traumatic situations.

“Music therapy is taking music out of the passive performance and [using it] as an interactive, participatory, and therapeutic tool,” DePaoli states. “Music is such an individualized and personal experience. We have found that music can reach people when nothing else can.”

Musicians model a different kind of community. Their art is meant to be enjoyed by all, regardless of one’s background, race, or identity. It is meant to make people feel valued and welcomed. Through listening to music and continuing to admire music artists, Dreamers can escape the discrimination, hatred, and judgement that our country has unfortunately become accustomed to.

Pale Hound

Holland Project Photo Essay

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I walked into the Holland Project’s music space, immediately greeted by a glistening disco ball spinning overhead and reflecting sharp beams of light in every direction. A psychedelic tapestry served as a backdrop for the main stage already set up with guitars, mic stands, amps, a drum kit, and endless wires slithering along the floor.

With my camera cradled in my hands, peeked into the green room tucked in the back corner of the space where I found members of the night’s headlining band, Palehound, lounging until it was their time to shine. I guess the hum of conversation around me wasn’t loud enough to hide the click of my camera’s shutter, and Jessie Weiss, Palehound’s drummer, looked up and grinned. Larz, the band’s bassist, sat beside him, the glow of their phone illuminating their face.

“Oh, you caught me texting!” Jessie said.

Unprepared to be noticed, I laughed awkwardly and politely waved before ducking back into the growing crowd near the stage.

The Palehound trio, fronted by Ellen Kempner on vocals and guitar, were on tour for their sophomore album, A Place I’ll Always Go, released June of 2017. This follows their critically acclaimed debut album, Dry Food, released in 2015. Kempner comments about “A Place I’ll Always Go,” on the band’s official website saying, “A lot of it is about loss and learning how to let yourself evolve past the pain and the weird guilt that comes along with grief.”

Despite the heavy recurring themes throughout the album, the indie-rock band definitely knows how to move the crowd. Kempner’s electrifying guitar riffs, Larz’ spunky bass licks, and Jessie’s heart-pounding drum beats combined to create the signature Palehound sound that took them from the basements of Boston to venues across the country. While there were calmer moments of soft reflection, their contagious rip-roaring spirit filled the air of the intimate space with undeniable energy from the moment they took the stage to the final bow.

While most people were there to see the Boston natives, a few others were just as excited for Stirr Lightly and Fine Motor, two local Reno bands opening that night. The alternative rock band Stirr Lightly consisted of Las Vegas natives Courtney Mayer, Bijou Bell, and Victoria Almanzan who are currently working on recording their debut EP. Fine Motor is a four-piece indie-rock band with Casey Bell, Dan Morse, Chris Mays, and Ben Birkinbine.

PALEHOUND

 

STIRR LIGHTLY

  

FINE MOTOR

Misty

Father John Misty Review

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Josh Tillman, famously known as Father John Misty, gave a night of thought-provoking lyrical magic capsuled in his indie-folk musical style. Post-tragedy Las Vegas welcomed the sarcastic, blue-eyed singer at the Brooklyn Bowl on his tour.

I found myself in general admission, between the bowling alley and the clinking of glass from the bar. The area filled up after a time, with all walks of life battling for a spot closest to the much anticipated singer. Misty’s opening act, Weyes Blood, warmed up the crowd. After her lovely performance, Father John Misty followed. As he approached the stage, the crowd went mad. Screams from the overly excited women, whistles, and the “YEAH!!!” from the drunk guy behind me rang in my ear as I politely clapped and admired Misty through my camera’s lenses. Without a hello and hands in his pockets, Misty fell into song and opened his performance with “Pure Comedy”, the self-titled song from his Pure Comedy album.

I had seen him two years before. I Love You Honeybear, his second studio album as his Father John Misty persona, had just been released months prior. I Love You Honeybear is an album about his wife and so naturally, it spoke of marriage and love. This time around, Misty’s new album Pure Comedy touches on more complex ideas and themes such as life and its ironies. This newfound maturity in Misty was conveyed in his performance through the marriage of the instrumentals, his voice, and his lyrics.

“Nancy From Now On” and “Hollywood Forever Cemetery,” both old fan favorites off of Fear Fun, the romantic “Chateau Lobby #4” and “The Night Josh Tillman Came To Our Apartment” off of I Love You Honeybear, and new favorites “Real Love Baby” and “So I’m Growing Old on Magic Mountain,” were wonderfully performed. After an eager fan’s “DO IDEAL HUSBAND, JOSH!” Misty added the song to his setlist. Sure, the live rendition of “Nancy From Now On” is sweet and “Chateau Lobby #4” is every girl’s dream, but they didn’t even measure close to the enraged and hypnotic imbroglio that was Misty’s live rendition of “Ideal Husband”.

“Every woman that I’ve slept with/ Every friendship I’ve neglected/ Didn’t call when grandma died/ I spend my money getting drunk and high/ I’ve done things unprotected/ Proceeded to drive home wasted/ Bought things to win over siblings/ I’ve said awful things, such awful things”

One can always tell when an artist is truly involved with their art. His fury, the red lighting intertwined with violent drums, his desperate cries, and his evident submission to his song by throwing himself on the floor make “Ideal Husband” my favorite number of his. It graduates him from your average love-singing-indie-singer to a rocker.

What’s next for Father John Misty? Well, he’s had a pretty busy year. Misty dropped Pure Comedy earlier this year, on April 7th, 2017, and began touring soon after, on May 11th, 2017, in Brooklyn, New York. His Summer/Fall 2017 tour will come to its end on November 20th, 2017 in Lisbon, Portugal. If you didn’t get to see him on tour this year, no worries! According to Consequence of Sound, Misty is struggling with one song’s bass synth part, but is close to finishing up a new album. Is a tour in the realm of possibilities? Maybe! If you haven’t heard of this Misty fella yet, give him a listen and, if you can, see him on his next tour! Maybe it’s his virtuosity of the guitar, his carefully penned lyrics, his musically-gifted band, or his nectared voice that makes each show a memorable experience for each attendee. Whatever the case may be, continue doing what you’re doing, Misty!

Rainbow eye ball

Challenging Gender: Life as a Trans Person at UNR

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Pronoun hands

It was just another day at work for Megan, or M, Quarnberg. Servers flew from table to kitchen to table under the dim lights, bussers rushed to clean emptied spaces for incoming patrons, and the kitchen was filled to the brim with cooks and the steam of westernized Asian dishes. In the midst of a lull in activity, M was having a casual conversation with a male coworker about a friend from the Queer Student Union (QSU), but using the friend’s preferred pronouns: they, them, and their.

M’s coworker interrupted, asking bluntly, “Are they a boy or a girl?”

“Uh, well, they’re non-binary,” M said, going on to explain what that meant to the confusion and discomfort of the coworker.

The coworker then joked, saying “Well you know what I would do if I saw somebody like that?”

“What?” M asked nervously.

The coworker proceeded to make a motion as if pulling down someone’s pants, saying “Then I would know for sure.”

M was horrified. What M hadn’t revealed to this coworker, who M considered a closer friend at work, was that M is also non-binary, and also uses the pronouns they, them, and their. Being non-binary is, in simple terms, not identifying with any one gender. Although M’s appearance when on campus or with friends comes across as more masculine, with their short, buzzed-cut hair, thick-framed glasses, and men’s clothes, it is harder for their coworkers to tell due to the androgynous–or non-gendered–uniform. Stunned into silence, M avoided the coworker for the rest of their shift, but the coworker eventually realized how upset he had made them. He later made what M believed was a sincere apology, revealing to them that sometimes all it takes is a visible display of disturbance to show people that what they said was wrong.

Having come to terms with and begun to present as their new identity fairly recently, and come out to friends and family this last summer, M still has a little trouble brushing instances like these off. Most of the time it’s just small things, like people around campus whispering about them to each other, asking whether M is a girl or a guy, and even sometimes daring each other to go up and ask. Normally, M ignores it, but it’s much harder to do so when it’s someone they consider a friend, they confided.

It might be a little surprising hearing about these kinds of things happening now, but maybe less so with the current political climate, and on a college campus nonetheless. Colleges are supposed to be accepting, safe spaces, aren’t they? According to president of UNR’s Queer Student Union, Kimberly Uribe (they/them), things like this happen to many trans individuals at this campus.

“This campus for the most part is good but it still has so much to do, especially for trans individuals who are the most targeted members of our community especially trans women,” they said. “I have heard past stories of trans friends being physically assaulted and to hear about that kind of stuff has happened on this campus is disheartening and scary.”

Although disheartening, the frequency of these instances is sadly not surprising. Violence has been disproportionately perpetrated against trans people for centuries, and this issue has only recently gained the attention it deserves. The American Bar association only just approved the resolution banning gay and trans “panic” defenses–or defenses that qualify violent actions against LGBTQ individuals as simply a reaction to their gender or sexuality, essentially blaming the victim for their assault–in 2013, according to the National LGBT Bar Association. Many trans people fear physical or emotional violence regularly. But, since the majority of us are cisgender, it’s hard for us to fully understand what these individuals deal with on a day-to-day basis.

Some of you may not be completely familiar with the term cisgender, either. Here is how the scholars Kristen Schilt and Laurel Westbrook explain it in their essay “Doing Gender, Doing Heteronormativity”:

Cis is the Latin prefix for “on the same side.” It compliments trans, the prefix for “across” or “over.” “Cisgender” replaces the terms “nontransgender” or “bio man/bio woman” to refer to individuals who have a match between the gender they were assigned at birth, their bodies, and their personal identity.

So, basically, if your perceived gender is in line with your biological sex, you are cisgendered. If your gender is not in line with your biological sex, you may fall somewhere on the transgender spectrum, which varies from transgender to androgynous or non-binary.

Everyone at least knows—or knows of—at least one person that is gender nonconforming (think Laverne Cox). They might simply be transgender—meaning that they identify with the gender opposite of their given sex. Or, they might be non-binary or genderqueer—meaning that they do not subscribe to the binary, two-gender system of Western society.

Notice how I said “Western.” That is because, in many societies outside of Western ones, the concept of gender variance is nothing new, which M pointed out. From historically respected “two-spirits” in Native American culture to the sacred “hijras” of Asia, many ancient societies have been recognizing, accepting, and even revering people whose identity exists outside of the male-female binary.

So why has it taken so much for Western societies to come to terms with it?

“All of this stuff is societal. Like, maybe it has something to do with biology, I’m not going to pretend that—I’m a fucking English major, I don’t know anything about that—but, just understand that society is the one that has put the importance on a binary,” M said.

To those within the LGBTQ community—and especially the transgender spectrum—the fact that gender and the binary system are societal constructs might be a given. But those who are outside of that experience think about it differently. A feminist might propose that the binary is one of the many tools that those in power use in order to perpetuate the patriarchy and exert control over women. A sociologist might point out the many ways in which Western societies have organized themselves and become dependent on the binary. A psychologist might explain the mechanism of recognition through difference—how our brains are trained to look at something and think: well, if it’s not that, then what is it? A religious conservative might tell you that God made man and woman—and that’s it. For M, however, it’s an evolving part of their identity.

“I have a trans flag in my room because I do generally identify with that term, but sometimes I’m like, no, I’m just non-binary; it changes. And I’m the kind of person who likes to have a word for the labels, just because it helps me to compartmentalize. So, it’s just kind of dependent on the day. But it’s mostly the same aesthetic.”

Red white and blue

It’s important to note that being genderfluid, non-binary, trans, and what have you is not always easy to define. Gender, as M pointed out, is “all societal.” Some days, M wants to simply present as androgynous, and others, they want to be seen as male. We all have our own ideas of what it means to be masculine and what it means to be feminine—but people like M show that we need to question and adjust our traditional ideas of gender.

The need for this questioning, and hopefully change in thinking, at UNR is evident in the experiences that non-binary students like M and Kim have seen and experienced, but also in ones that other members of the LGBTQ community face. In the middle of our interview at a coffee shop near campus, a gay student, Kenneth Olidan, interrupted to ask about the Queer Student Union, saying that he also felt unsafe at UNR after moving here from San Francisco, which he called “the gay capital of the West Coast” two years ago.

“I found myself going back to acting like a straight guy because I felt like the testosterone here was so strong with the Greek community. I even tried to fit in and try to join a fraternity, and I get discriminated against for being part of two communities constantly,” Kenneth said. “I had one instance where a girl kept calling me faggot in class, and I was like ‘what?’”

While talking with Kenneth, M agreed with the feeling of needing to be “straight passing” on campus. Basically, they both feel that the need to be themselves is outweighed by the need to avoid discrimination, or even violence. The fact that they still have this fear is unacceptable, and QSU president Kim Uribe has a simple way for the administration to solve it.

“There needs to be a zero tolerance policy with discrimination,” they said.

Not only is discovering and identifying oneself as transgender, genderqueer, non-binary, or gender non-conforming an outward struggle, but it is also an inward one. For M, it took years of fighting their own inner struggle to understand and accept their bisexuality and their gender fluidity.

“I don’t even really know really how it happened, like it’s all kind of a blur but I started identifying as gender fluid for about a year and a half and…that was when I was like, ‘Okay, I don’t ever really feel like a girl,’ and so that’s what kind of made me move on to non-binary. I also identify with the term trans-masculine, which is kind of more on the guy side, which is why I dress the way I do. But yeah, so it’s a new thing as far as everybody else is concerned, but for me it’s been an ongoing thing for years.”

For M, coming into their own identity and reconciling how they were feeling with how they were taught had a lot to do with art and representation online. They cite influences like the musician Troye Sivan, the actress Laverne Cox, and the poet Keaton St. James. In addition, they learned a lot from classes at the university, including literary theory with Dr. Justin Gifford. M’s favorite theorist was Judith Butler, who talks a lot about resistance against heteronormative thinking, or the view heterosexuality as truly natural and normal, and the idea of gender as a performance.

Non-binary or transgender people are not an idea—they exist. M is a living, breathing person with a love for their friends, who plays music, and who has bumble bee, orca, and Twenty-One Pilots tattoos. They can stand up for themselves, obviously, but it’s important to know what you can do to support them and people like them in your day to day life.

“I really think that people should do some of their own research, because—and I feel this way about like, people of color and other minorities, too—but it’s not my job to educate everybody,” M said, “I will do what I can to help, and I really love talking about it now because I’ve been quiet about it for so long, but I don’t want to have to educate from ground one every single person that I interact with. So, I think people should have their own understanding of it.”

Although you might not have someone like M in your life to help your understanding, it is important to gain a basic understanding of trans people in order to make anyone like them feel safe and accepted. One of the simplest ways to do this is to ask people what their pronouns are—and do your best to use them.

I’ve had struggles with this myself. When I first met M, they identified as she, and so I have had to really force myself to be conscious of my use of pronouns when speaking about them. Even writing this, I slipped up a couple of times and wrote “she”—and quickly changed it to “they.” It might be hard, but it’s best to just correct yourself and move on and not be dramatic or overly apologetic, M said.

“Because if you do it that way… I mean, nobody really notices, I mean, we’ll notice but we’ll know that you didn’t do it on purpose. But I hate it when people are like ‘oh my gosh, I’m so sorry I’m going to stop the whole conversation and apologize.’ It’s like, I know that you’re sorry and I understand wanting to apologize because I’ve done that before, too. But you don’t need to call attention to it, and I always feel the need to be like ‘oh, it’s okay’ even though it’s not.”

Even if you don’t always get it right, it’s important to be conscious of how your reaction to your mistake can affect the person as well. Often, a trans or non-binary person is forced to deal with the burden of forgiveness or explanation, placing all of the responsibility to educate and be patient on them. It can be exhausting.

It can also be exhausting to think about all of the things that need changing in order for trans and LGBTQ people to feel safe on their campuses and in society in general. Although we as a society still have a long way to go in terms of progress, M remains positive and smiling brightly in their maroon “Celebrate Trans Men” t-shirt, saying “you have to allow yourself the victories, and you can’t make yourself upset about it all the time.”

Resources:

https://www.facebook.com/UNR-Queer-Student-Union

https://www.unr.edu/the-center

Handling Depression in College

5 Helpful Tips for Handling Depression in College

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  1. Journaling Many times, for those struggling with depression, it’s easy to get lost in that sea of sad and leave every day as just another one survived. Journaling can help revive some of the light that life has to offer. The easiest way to get started is by trying to write down at least three good things that happened that day no matter how small. Maybe you had your favorite meal or found a really good new song. Just writing down the little things you were grateful for each day will give you something positive to look back to. This also helps you practice mindfulness and learn how to be appreciative of the little things as well as the big.
  2. Get organized and prioritize your time. One of the easiest ways to get started with this is by using a planner. Head over to TJ Maxx, pick one that best suits your needs, and get started. School and work can be overwhelming, but a planner is great for organizing everything you have to do and makes tackling the day just a tad bit easier. With a planner, you will know exactly what has to be done that day, letting you prioritize all the important aspects of the day. If you don’t like planners, there’s many other ways to get organized. You can use your phone, make a list, whatever works best for you!
  3. Make your bedroom your sanctuary. Your bedroom is your space. It should be a reflection of you, so fill it with things that make you happy and bring you nothing but positive vibes. That way, at the end of a hard day you can come back to a relaxing environment that will make you feel good. That also includes trying to keep it clean and organized, as having everything organized will help de-clutter your mind and make you feel good. Plus, it’s just nice to know where everything in your room is, you know?
  4. Build a support system. Support systems are vital in times when you’re really feeling low. So don’t be afraid to reach out to someone when things get hard. It can be a friend, parent, roommate, counselor, anyone. Talking about your problems and how you feel will help make you feel better just by letting you get it off your chest. It’s easy to feel like no one understands and begin to get lonely, but by openly communicating you can connect with those around you.
  5. Campus resources. The University of Nevada, Reno’s counseling services center helps provide students with a chance to reach out and get help; from individual counseling, group counseling, consultation and urgent care, and even referrals to other places around Reno to help find the best fit for you. Just by checking out the counseling service’s web page at www.unr.edu/counseling, you’ll receive tips and advice on topics such as living well, dealing with stress, healthy relationships, and more. There is even a virtual relaxation room, which teaches you breathing and muscle tension techniques as well as how to cultivate mindfulness. In regards to building a support system, getting professional help when you’re struggling can make a huge difference in helping you get on the right track.